Charlie Hatch

Graphic Communication & Design — University of Leeds

Projects

VOIDS Magazine cover VOIDS Magazine spread VOIDS Magazine spread
Formetry exhibition poster Modular typography poster
Drawing Beyond Itself, final drawing 1 Drawing Beyond Itself, final drawing 2 Metamorphosis book cover mock-up

About

I am currently studying Graphic Communication & Design at the University of Leeds and I am looking for an opportunity to gain professional experience, develop my skills and learn from those working in the creative industry.

I would describe myself as a motivated and open-minded person who enjoys exploring new design ideas and approaching challenges from different perspectives. Through my studies, I have developed a strong interest in visual communication and the process of turning ideas into effective outcomes. I enjoy experimenting with different approaches - that being new software or physical mediums - learning new techniques and refining my work, while remaining open to feedback and new ways of thinking.

Throughout my university projects, I have developed my skills in research, concept development and visual problem-solving, alongside practical experience using Adobe Photoshop and InDesign. I understand the importance of considering both the creative and communicative aspects of a project, and I am always looking for ways to improve my work and broaden my understanding of design. I love looking at and analysing magazines and how they are laid out, how they use grids and typography.

Outside of my studies, my experience in customer-facing roles has helped me develop strong communication, teamwork and time-management skills. Working in fast-paced environments has taught me to remain adaptable, work well with others and approach responsibilities with a positive, calm attitude. I am comfortable taking initiative, learning from others and contributing wherever I can.

I am eager to challenge myself, gain new experiences and continue developing both personally and professionally. I would bring enthusiasm, a willingness to learn and a thoughtful approach to any opportunity, while making the most of the chance to work alongside and learn from an experienced team.

Contact

07486009176 | charliehatch601@gmail.com

VOIDS Magazine

Brief: Create your own Contemporary Sculpture Magazine - Deliverables - One Front Cover, 2 Spreads, 1 Bus Advert.

Inspirations:
https://www.frieze.com/
https://sculpture.org/page/sculpturemagazine
https://www.artforum.com/

For my magazine, I wanted to create a clear and recognisable identity throughout the different deliverables. I did this by using a consistent colour palette and a strong typographic system. The masthead ‘VOIDS’ creates a strong, memorable visual signature. With large image-led pages, I created a balance with generous amounts of white space, allowing the images to take centre stage at all times and helping to celebrate the theme of the magazine.

Problems such as making the magazine contemporary and not too playful did arise during the design process. However, to counteract this, I ensured that while the bright magenta colour introduces energy and modernity, the overall design remains professional through the use of restrained layouts, high-quality photography, and a limited colour palette.

Formetry Catalogue

Brief: Create a Catalogue and poster promoting an exhibition investigating the relationship between form and geometry in design.

Inspirations:
https://geometricmagazine.com/
https://www.life.com/arts-entertainment/mies-van-der-rohe-and-the-poetry-of-purpose/

For this project, I developed an exhibition identity exploring the relationship between geometry, proportion and form in design. I created Formetry, a visual identity supported by a poster and editorial catalogue, using geometric systems, typography and the Vitruvian Man to communicate how mathematical principles have influenced design and architecture.

Metamorphosis

Brief: Create your own book cover for The novel by Franz Kafka - Metamorphosis.

Inspirations:
https://arcturuspublishing.com/products/9781398862081
https://www.waterstones.com/book/metamorphosis-and-other-stories/franz-kafka/michael-hofmann/9780241372555

For my book cover, I wanted to create a neglected, dark atmosphere that reflects the themes of the novel. I photographed a dusty, cobwebbed corner with a dark hole, which conveys a sense of isolation and decay. I then used AI to add a small brown suitcase at the entrance of the hole. This mundane object alludes to themes of travel, escape, and the loss of identity, reinforcing the ideas explored in the book.

Drawing Beyond Itself Project

Brief: Investigate how Geometry and Chance can create an abstract drawing.

Inspirations:
https://www.themorgan.org/exhibitions/sol-lewitt
https://leatriceeiseman.com/color-and-emotion/
https://www.guggenheim.org/artwork/artist/frank-stella

Over a number of weeks I explored different methods of abstract drawing searching for a theme that I would make my final drawings on. I decided on investigating the idea of creating abstract art by combining geometry and chance. For these drawings I used a random number generator to determine the shape, direction, and scale of the initial line work (top left image), allowing unpredictable forms to emerge. I then introduced geometric shapes and lines to create structure, contrast, and depth. By adjusting the composition digitally in Photoshop, the random marks were transformed into layered abstract arrangements, demonstrating how controlled geometric systems can interact with randomness to produce dynamic and visually pleasing outcomes.

Modular Typography Poster

Brief: Create your own modular typeface and poster.

Inspirations:
https://muirmcneil.com/typefaces/ - Muir Mcneil.
https://www.karlnawrot.com/typefaces/ - Karl Nawrot.
https://designreviewed.com/artefacts/jurriaan-schrfer-1926-1990-valiz-2013/ - Juriaan Schrofer

For my poster I wanted to create a typeface using simple reusable units that would work together as a set of glyphs to create a coherent system which would demonstrate how an entire alphabet can be formed from a restricted set of shapes. Like Muir McNeil’s typefaces, the poster prioritises structure, repetition and systematic design over readability.